All Posts By

admin

Xàbia – Música a l’estiu 2023

By Masterclasses, Teaching

José Luis Estellés in Música a l’estiu (Xàbia) – 2023

The 37th International Woodwinds Summer Course, 24th – 30th of July, 2023

To say Xàbia in summer is to say music. In its 37th edition, students of woodwind instruments gather in this pleasant coastal town to enjoy an intense advanced course with a unique teaching staff.

Read More

AIMS 2023

By Masterclasses, Teaching

José Luis Estellés in AIMS – Academia Internacional de Música de Solsona

The Wind Academy, 14th – 20th of August, 2023

AIMS stands for Academia Internacional de Música de Solsona.  Creating great music starts by nurturing young musicians, so the AIMS Academy invites and brings talented young music students together from around the world, and provides private and group mentoring with highly renowned music professors from well-known institutions. José Luis Estellés is the Artistic Director of the International Wind Academy.

Read More

MSKN MasterEnsemble

By Conducting, Ensemble, Orchestra

MSKN MasterEnsemble is the new versatile orchestral formation in which the Master in Music Performance students obtain a high-level professional training, focusing above all on the repertoire that ranges from the 20th century classics to the première of new works.

José Luis Estellés is conducting this 2020/21 three programs.

The full program brings together a world première by the talented composer Mikel Iturregi, the ever-modern masterpiece for ensemble by Varese – Octandre-, next to the central European avant-garde music of Cerha and Rihm plus to icons of our musical tradition: Mahler’s “Titan” and Hans Zender’s Schuberts “Winterreise”.

Read More

LA MÍSTICA DE SONIDOS ETERNOS

By Critics, Critics chamber music

Works by Takemitsu and  Messiaen.

GRANADA, MANUEL DE FALLA AUDITORIUM

José Antonio Cantón│Scherzo Magazine│January 2021

[…] The performance of this instrumental quartet must be considered as a true artistic event… José Luis Estellés entered fully into action in the Abîme des oiseaux, suspending the sound of his clarinet in space… thus achieving one of the most astonishing moments of the concert, which left a feeling of total dissolution of time, all seasoned by the appearance of intervals that curiously pointed to some modulations of the overwhelming melopea of the third act of Tristan invented by Wagner for the English horn.

Read More